Business & Corporate
Aviom's audio networking technologies help manage audio in the boardroom or corporate campus.
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Aviom has introduced a variety of solutions for AV system contractors and designers, delivering new realities in audio transport in corporate applications from conference rooms to corporate events and meetings.
Audio distribution over Cat-5 promises AV contractors and end users greater performance and flexibility, but too often these promises are comprised by the complexity and instability of the system. Aviom's A-Net® based solutions deliver the highest level of audio quality while streamlining the design and installation processes and reducing maintenance costs and risks. Specifying innovative solutions using Pro16 and Pro64 modules from Aviom can lower labor costs and timelines on bids, which can lead to more winning proposals and increased margins for integrators and consultants alike.
With products and solutions on the market and ready today for wide range of real-world audio applications, Aviom is committed to saving system designers and contractors precious time, money, and labor.
Click image to enlarge Up to 8 conference mics are connected to an AV-M8 Input Module. Audio signals are converted to digital and are output as A-Net data. A-Net from the input module connects to an AN-16/o Output Module in the equipment room using Cat-5e cable.
Individual analog line-level audio channels from the AN-16/o connect to a DSP device for processing. The output from the DSP feeds a power amp which sends the processed audio to ceiling speakers.
Click image to enlarge Two AV-M8 input modules are cascaded via the built-in ADAT® digital connection to create a single 16-channel A-Net stream. Up to 8 conference mics can be connected to each AV-M8 input module. Additional audio from line-level sources such as a CD or DVD player, computer, video system can also be connected to the AV-M8; it has built-in pads available on channels 1-2 for just this purpose.
The two AV-M8 modules in this system are connected digitally to create a single 16-channel A-Net stream. A single Cat-5e cable from the AV-M8 connects to an AN-16/o Output Module in the equipment room. The line-level audio outputs from the AN-16/o connect to a DSP processor. The output from the DSP feeds a power amp that sends the processed audio to ceiling speakers.
An optional RS-232 remote control can be added to the DSP device.
Click image to enlarge This system illustrates the flexibility of A-Net based systems. By using an AV-M8 Mic Input Module connected to an A-16R rack-mount mixer, a very simple portable PA system that anyone can operate can be created.
Because the system uses Cat-5 cables to move audio (and, optionally, mix control), set-up is quick, and the wiring is unobtrusive in any environment. Use the A-16CS for simple, cost-effective mix control or a third-party RS232 control system for more advanced control interface options.
Click image to enlarge Up to 16 audio sources (any combination of mono and stereo, up to 16 channels) are connected to a Pro16 input module, where the input signals are converted to digital and transmitted as A-Net. The A-Net signal connects to one or more A-Net Distributors, which supply both the digital audio and DC power to the connected output devices, in this case the AV-P2 Output Module.
Users can select any of the input source channels to be monitored by using the rotary selector on the front of the AV- P2.
Click image to enlarge This system draws digital audio directly from a Yamaha digital console using the Y1 A-Net Card. The A-Net audio stream is transported to an A-Net Distributor, which supplies audio and power to six Personal Mixers. Two performers monitor with wired earphones, one with headphones, one with a powered wedge speaker, and two use wireless IEMs. Up to eight Personal Mixers can be connected directly to this distributor.
Click image to enlarge Sometimes the large, elaborate PA system in an auditorium is too much to handle. When the room has to double as a classroom, meeting room, etc., you just need a simple way to amplify a few mics or play back a CD.
This system shows an easy way to add a secondary sound reinforcement system that is easy to understand and operate.
Click image to enlarge Using third-party media converters, a pair of Pro16 input modules each transmits 16 channels to a pair of AN-16/o Output Modules over single- or multi-mode fiber. Sixteen channels are transmitted in each direction for a 16x16 configuration.
The AN-16/i line-level input module is shown in the diagram, but the AN-16/i-M Mic Input Module can be substituted to move mic-level signals.
Digital splits can be created by simply connecting additional output modules with a Cat-5e cable.
Click image to enlarge Tie lines can be used to connect rooms, venues, recording studios, classrooms, buildings, production areas, or remote trucks so that users can share data effortlessly.
This system shows four similarly equipped locations that have both analog and digital I/O modules installed. Locations are connected with MH10f Merger Hubs making it easy to use fiber for long distance runs where needed.
Click image to enlarge Up to 16 mic signals are patched into the 6416m Mic input
Module and these input channels are assigned to Slots 1-16
within the Pro64 network. Once active on the network, these
channels can be output anywhere by simply tuning an output
module or console card to the same channel/Slot range. In this
example a 6416Y2 card in a Yamaha digital console is used to
connect the mic signals from the Pro64 network digitally to the
console.
To control the mic preamps, the RCI
Remote Control Interface and the MCS Mic Control Surface can
be connected anywhere in the Pro64 network. Here they are
shown connected to the second A-Net port on the 6416Y2
card installed in the Yamaha console.
The 6416Y2 card can output 16 channels form the console while
at the same time receiving the 16 mic inputs described above.
By adding ASI A-Net Systems Interface to this setup, Pro16
output devices such as the A-16II Personal Mixer can be used to
create a monitor system for performers.
AV-M8
Mic Input Module
|
A-16R
Rack-Mount Mixer
|
AV-P2
Output Module
|
AN-16/o
Output Module
|
MH10f
Merger Hub
|
Corporate Event Audio Distribution Simplified
Intro to the 6416m Mic Input Module
Ray Legnini, Aviom's Product Research and Development Manager, takes you on a tour of the features and benefits of our revolutionary new 6416m Mic Input Module.
- 6416Y2 A-Net Interface Card Quick Start
This document shows suggested card setups that can be used as starting points when creating an audio network using the 6416Y2 and other Pro64 products.
- Aviom Product Applications Book - Screen Version
Sample System Diagrams for: Commercial AV, Houses of Worship, Broadcast, Live Sound, and Studios. This book contains over 20 CAD drawings showing sample installations of Aviom audio networks, audio distribution and personal monitor systems in a variety applications.
- A-Net And Video: Transmitting Video Over Cat-5 Cables
Using a pair of inexpensive Baluns, you can easily transmit composite video over your Pro16 audio distribution system, for monitoring remote locations or displaying information like song lyrics on remote monitors.
- Using Fiber Optics With Pro16 Systems
For applications requiring cable runs longer than 500ft, fiber optic media converters can be used to extend the distance between Pro16 devices to up to 50 miles (80 kilometers).
- A-Net v. Ethernet - Networking Designed for Audio
Streaming networking technology delivers greater power and performance than Ethernet.
- Managing Jitter, Wander, and Latency in Digital Audio Networks
Challenges facing designers of professional-grade digital audio equipment are discussed with clear examples of the advantages of A-Net Pro64.
- A Closer Look at A-Net
Comparing Pro16 and Pro64 - learn about the two versions of Aviom's exclusive A-Net audio transport technology, and find out which is best suited for your application.
- Calibration and Gain Staging with Digital Transport
Learn how to address the most common source of trouble for console users making the switch to digital transport - gain stage calibration.
