RCI Remote Control Interface
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Flexible remote control architecture supporting multiple control points
- Control Groups for segmenting control among multiple users
- Network monitor station with headphone output with volume control
- Line-level rear-panel XLR monitor output with pad
- Four-pin XLR connector for optional backup DC power
The RCI Remote Control Interface, when combined with the MCS Mic Control Surface offers unprecedented remote control capabilities for the 6416m Mic Input Module.
A single RCI and MCS can be used to control up to 64 channels of 6416m inputs, regardless of their location in the network. Alternatively, any number of RCI Remote Control Interfaces can be installed throughout a Pro64® network, providing multiple control points. The Control Group function on the 6416m and RCI allows control of active mic channels to be divided among up to four different simultaneous users and control points.
The RCI can also be used as a stand-alone monitor station; any Pro64 network audio resource can be selected (from the RCI or MCS) and monitored using the built-in headphone and/or line-level XLR mono outputs. MCS Mic Control Surfaces can be connected and disconnected from the RCI without affecting network behavior.
| Controller Port | EtherCon RJ45, Accepts MCS |
|---|---|
| Headphone Monitor | 1/4-inch TRS, mono, with level control |
| Monitor Output | XLR jack, balanced line level, mono |
| XLR Output | Pin 1: Shield; Pin 2: Hot; Pin 3: Cold |
| XLR Output Level | +4dBu (Pad off), -17dBu (Pad on); rear-panel switch |
| Max. Ambient Temp. | 50°C |
| A-Net | 2 EtherCon RJ45 connectors |
| A-Net Cable Length | 400 feet (120 meters) between devices (Cat-5e) |
| Power Supply | 100-240VAC 50-60Hz, 16W Internal switching type; IEC connector |
| Backup DC Power Inlet: | 24VDC, 2.0 amp max. 4-pin XLR (Pin 1: GND; Pin 2/3 no connect; Pin 4: 24VDC) |
| Dimensions: | 1U: 19"w x 8"d x 1.75"h (482.6 x 203 x 44 mm) |
| Weight: | 7 pounds (3.17 kg) |
Click image to enlarge On the stage, 48 mic signals connect to three 6416m Mic Input Modules. All Pro64 devices on stage
connect to an MH10 Merger Hub in parallel. A-Net from the
MH10 on the stage connects to another MH10 at the front-of-house position. The dotted line indicates a second Cat-5e cable
installed as a backup.
At the FOH position, all Pro64 devices are connected in
parallel to the MH10.
Three 6416dio modules are used to output the mic signals from
the stage to the mixing console as AES3 digital data.
The 6416m modules on stage are remote controlled
with an MCS connected to an RCI Remote Control Interface. One
of the 6416dio modules at the FOH position is used to insert 16
channels of return content into the network. Back on the stage,
the return content from the FOH position is output to the DSP
and speaker processing devices from a 6416o. (A 6416dio may be substituted for digital outputs to processors.)
The MH10f can be substituted for the MH10 hubs shown in the diagram to add fiber connectivity to this system.
Click image to enlarge This system connects up to 48 channels on stage with the FOH mix position and also provides a return path for up to 16 channels to the main processors and amps. All audio settings on the stage inputs, as well as mic pre presets, are remote controllable from FOH using the MCS. MH10 and MH10f Merger Hubs may be added in each rack for the additional security of backup cables between stage and FOH.
Splits to other locations, such as a monitor console, recording rig, or broadcast room, may be connected at any point in this system.
Click image to enlarge This 48x16 digital snake provides 48 channels of remote controllable mic inputs, via three 6416m Mic Input Modules on stage, plus 16 returns, output to processors and amps by a 6416o Output Module. At FOH, a Yamaha console is equipped with three 6416Y2 A-Net Cards, providing up to 48 channels in and 48 channels out to and from the Pro64 A-Net network.
The MCS at FOH provides real-time status monitoring of all network audio channels, plus remote control of all audio settings and presets on the 6416m modules.
Click image to enlarge This 48x16 digital snake adds the flexibility of two MH10f Merger Hubs&emdash;one in the stage rack and one at FOH&emdash;allowing Stage and FOH to be connected by Cat-5e or single- or multi-mode fiber. Backup cables of either type may be added.
Both audio and control data are passed seamlessly over the fiber optic link.
Click image to enlarge This system adds a Pro16 Monitor Mixing System to the basic 48x16 Pro64 digital snake. Audio content for the Personal Mixers is routed to the Pro64 network from the Yamaha console, through the second 6416Y2 A-Net Card. The ASI A-Net Systems Interface on stage translates the A-Net data from the Pro64 system to the Pro16 format used by the Personal Mixers.
A second zone of personal mixing content, for further customization of mixing, can be added with no additional hardware, using the remaining 6416Y2. The ASI supports up to four 16-channel Pro16 A-Net Outputs.
Click image to enlarge This basic Pro64 digital snake system provides 16 remote controllable mic inputs on stage via a 6416m Mic Input Module, analog outputs (mic or line level) at FOH via a 6416o Output Module, and 16 analog returns from FOH to stage. Remote control is provided via the MCS connected to the RCI Remote Control Interface at FOH.
The system can be expanded by connected additional mic input modules on stage and output modules at FOH. Output splits, such as for a recording rig, can be added to any open A-Net port anywhere in the system.
Click image to enlarge This system combines a 32x16 Pro64 digital snake with the flexibility and control of a Pro16 Monitor Mixing System.
Thirty-two inputs are provided on stage via two 6416m Mic Input Modules, remote controllable from FOH with the MCS Mic Control Surface. These signals are connected to the analog FOH via two 6416o Output Modules. Up to 16 return signals can be passed from the console back to processors on stage via a 6416i Input Module at FOH and a 6416o Output Module on stage.
Audio for the monitor system is supplied from the console to a second 6416i at FOH. The ASI A-Net Systems Interface module on stage passes this audio data to the A-16D Pro and the Pro16 Personal Mixers.
The MH10 Merger Hubs shown here allow devices in each rack to be connected in parallel and also provide a simple means for connecting backup cables between the stage and FOH racks.
To control the 6416m Mic Input Module remotely over the Pro64 network, two additional components are required: the RCI Remote Control Interface and the MCS Mic Control Surface.
The RCI Remote Control Interface provides a network access point for remote control. It can be connected anywhere in the Pro64 network, and multiple RCIs can be installed to provide the flexibility of additional control points, which is especially useful when you have multiple users who need to control mic preamp channel settings. The 6416m and RCI can be set to one of four Control Groups to divide control among a group of users.
The MCS Mic Control Surface connects to the RCI with a Cat-5e cable and allows the user to select and edit all mic channel parameters, as well as providing access to the 16 mic preamp presets stored within each 6416m. The MCS can be disconnected and reconnected without affecting network performance.
The RCI Remote Control Interface has both a front-panel headphone monitor with volume control and a rear-panel line-level output. Connecting the rear-panel XLR output to a mixing console allows the operator to listen to the selected channel while making changes.The monitor output is always mono.
As an option, the RCI can be set to hold a specific channel in the monitor outputs even while other mic channels are selected and edited from the MCS.
In the diagram, a 6416dio and RCI are shown connected in parallel to an MH10f hub. The line-level output from the RCI is connected to the mixing console.
A Pro64® network can be connected in almost any way imaginable with no impact on audio performance. Every cable in a Pro64 network always carries the full capacity of the network, meaning that there are no limitations on the location of input or output modules. Pro64 also supports the use of hubs such as the MH10 and fiber-enhanced MH10f when parallel connections are desired.
Because every Pro64 A-Net® port is always bidirectional and carries the full capacity of the network, all of the ports throughout a network are essentially interchangeable. If you plan to operate your system in Manual Mode (up to 64x64), connecting one device's B port to the next device's A port throughout the system will make tracking signal flow in complex systems more straightforward. If, however, your system will always run in Auto Mode, there is no need to keep track of A-Net connections.
Once a signal is converted to Pro64® A-Net®, any compatible
Pro64 device can be used to output the Pro64 data as analog or AES3 digital data as
required.
Pro64 network data is also available to any Yamaha devices outfitted with 6416Y2 console cards. Pro64 uses state-of-the-art clock management to guarantee pristine audio performance at every point in the network.
Unlimited lossless digital splits (mic/line analog, Yamaha, or AES3 digital) can be created from anywhere in the network by connecting another Pro64 module with a Cat-5 cable.
Multiple users can control mic preamp settings on 6416m Mic Input Modules in a Pro64 audio network by installing two or more RCI Remote Control Interfaces and at least one MCS Mic Control Surface.
The Control Group feature on the 6416m and RCI allows mic preamps to be grouped together and their control assigned to a specific user. Up to four unique control groups can be created. Once set to a control group, a 6416m mic preamp will only respond to editing commands coming from an RCI and MCS combination where the RCI has been set to the same Control Group.
To set a 6416m to a particular Control Group, press the button in the Control section of the front panel to choose a Group (1-4) and light its LED, or set it to off (no LED lit, meaning no user control). When an RCI is set to the same Control Group from its front panel, the MCS can only edit channels in the same group. It can still monitor and meter all mic channels. you have the option of installing one MCS at each user location, or sharing a single MCS among different users.
Intro to the 6416m Mic Input Module
Ray Legnini, Aviom's Product Research and Development Manager, takes you on a tour of the features and benefits of our revolutionary new 6416m Mic Input Module.
Configuring a Pro64 Audio Network - Part 1
Aviom's Consultant Liaison and Training Manager Jeff Lange shows how simple it is to set up and configure a Pro64® Audio Network. A must see for consultants and system designers.
Configuring a Pro64 Audio Network - Part 2
In Part 2, Aviom's Jeff Lange covers alternate wiring topologies for Pro64 audio networks, and illustrates backup cabling strategies and Pro64's self-healing properties.
- 6416m/RCI/MCS User Guide
Includes 6416m Mic Input Module, RCI Remote Control Interface, & MCS Mic Control Surface. (17.5MB)
- RCI & MCS Data Sheet
- 6416m Data Sheet
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